Skyrates: A Review

At last, I get to pretend I'm a cat and fly darinly through the skies!

Skyrates is a free, browser based game. You choose a character from a nice selection of animals and take off into the skies to trade, fight, or do missions across the 'Skylands'. It sounds simple enough, but the twist comes with the realtime flight times between locations. A journey may take many hours, which makes every decision vitally important. 

Of course, there are certain issues that can be raised with the game. The graphics are simple and the combats are generally uninteresting at the lower levels. In addition to this, the fact that the game is still in beta means that there are some bugs left to be erradicated and that nothing in the game can be taken for granted in future releases.

But these issues are marginal. The simple graphics suit the game perfectly and bring an excellent amount of colour and vibrancy to the game. Also, the dynamic economy that shifts depending on players trading patterns makes a simple concept both innovative and addictive. Finally, the wide variety of planes and ugrades on offer, along with the extensive ranking system combines to create a highly worhtwhile gaming experience.

If you want to feel like Lord Flasheart while donning the personality of a cute animal, then this is most certainly the game to play!

-The English Student

Stardust: Film Review

My holiday film binge begins with Matthew Vaughn's Stardust.

This adaptation of the Neil Gaiman novel by the same name attempts to bring the fantastical world of "The Wall" to a wider audience. By allying the unusual plot with unusual film direction, a new medium is created for this solid story. This film has its negatives and positives but at any rate is a good example of a successful novel to film crossover.

Of course, these theoretical underpinnings are not enough to make a film worth watching. Real mastery of the movie craft must be shown and Stardust often shows flashes of this brilliance. It is unpredictable, wise and witty. When you add a solid cast to this and some excellent cinematography and effects it is quite obvious that director Matthew Vaughn has created a modern fantasy classic. His depiction of the witches rivals Rohl Dahl and Robert de Niro is an excellent choice for Captain Shakespeare. 

But of course, this film is not without its faults. Occasionally, some of the acting falls flat and the script stalls but the main issue of the feature relates to plot. The success of a story like this hinges on the consistency of plot and Stardust suffers in this regard because of the relative brevity of the film. This is not a major issue however and I suspect it is due to the fact that film adaptations of novels are necessarily curtailed for the big screen. The other notable failing of the feature is the predictable ending to a largely unpredictable film. But while it is an obvious conclusion, it is an appropriate one. 

Overall, this is a brilliant story that takes its place amongst classic family films.

-The English Student

Christmas Guilt

Another Christmas approaches and a familiar sense of dread emerges.

Of course, it would be ridiculous to simply say that I hate the holiday season. It is billed as a time of joy when people can come together to celebrate and give thanks with family and friends. Indeed, in these more secular times this holiday is no longer just for the religious minded, but for everyone.

However, there are several reasons why I have never truly and consistently enjoyed Christmas. The music is nauseating, the decorations gaudy and the weather is bitterly cold. This is all in conjunction with the increasingly cynical nature of a market driven holiday. But these persistent annoyances can hardly be enough to drive me away from Christmas. In fact, these aspects have only become apparent to me recently.

But ever since I was young this holiday has caused me pain and frustration due to a feeling I call 'Christmas Guilt'. The idea of gift giving is all well and good, but I happen to be someone who has everything they could possibly want. I don't wake up hungry, nor do I go to sleep freezing cold and despite my many failings I have friends who stick by me. So how can I in good concsience demand anymore from those who give so much?

But they will keep asking me what I want for Christmas, so I must stay resolute in my response: I want nothing.



-The English Student

College Essays

In my last discussion, I highlighted the problems created by college newspapers. Similar patterns can be observed in relation to college essays.

Upon entering the English department earlier this week, someone remarked that I was becoming an essay writing “machine”. This idea stuck with me and it is only now that I have fully understood the connotations of such a statement. The college systems absolutely encourage the creation of mechanical essay construction. In effect, we are given the input values of a title, word count, relevant texts and a due date and expected to output an argument.

But this cold and calculating method of composition inhibits real creativity and diversity. Students simply go through the motions of writing essays and never feel the desire, or indeed are given the time, to develop and impart their own personal views. I understand the practical necessities of these essays, but through them students are effectively being made into hacks before they even leave college.

There are simple solutions to these problems. If the due dates of essays were spread out adequately, time would be afforded for real engagement with these questions. In addition to this, when lecturers allow students to create their own essay titles and bring in external material, they encourage a personal approach to assessment. The system is not so much broken, as it is in need of some delicate tweaking.

In this way, the passion and love a student has for a subject can be nurtured and developed into a viable life tool.

-The English Student

College Newspapers

Does frighteningly alarmist journalism begin at a collegial level?

My university has two main newspapers that are freely distributed across campus. One of these papers seems to have a degree of real engagement with college life, the other however, is ridiculously removed from all concepts of reality. In fact, many people are beginning to wonder if any semblance of journalistic integrity can be found at all.

Unlike any writer for this paper, I am actually going to qualify this extreme opinion. Upon opening the last two editions of this paper, it becomes quite obvious that they have an intention to perpetuate alarmist rumours that only serve to create an idea of the evil, homosexual, foreign terrorist. It seems that we are always seconds from disaster and that these people are just biding their time before tearing down society around us. Of course, these insidious rumours are hardly put out in the open, but are subtly referenced in articles through tone and language in order to implant ideas unnoticed.

Perhaps I am being too harsh on a newspaper that was initially set up to counter their university sponsored adversary. In fact, the paper does have some interesting pop culture sections in every edition. But there is a very good reason that the Student's Union recently stopped funding this paper, such "journalism" only creates enmity and fear where we need unity and courage.

I do not call for censorship of such papers, just wisdom on the part of their readers.

-The English Student

Nineteen Eighty-Four: The Mutability of the Past

"Who controls the past controls the future: who controls the present controls the past."

Winston is confronted by this Party doctrine which articulates the government's control over all elements of history. By removing all physical evidence of past events and by editing others, The Party dictates the entire history of London. This control forces us to wonder whether the past can truly be altered at will.

On the face of things, this apparent "mutability of the past" is entirely possible. Our newspapers, history books and countless other physical media contain evidence the past, but these media are all corruptible. Even personal memory is fallible and can be manipulated. So, the question emerges: does the past actually exist anywhere or can it be fabricated?

I have a natural inclination to say that the past does indeed exist. Of course, any human would. The idea that nothing we experience or do has any lasting effect whatsoever is simply abhorrent. Perhaps the answer lies in this instinctual rejection of "the mutability of the past". The past may not have an objective existence, but it is hard to deny the impact that everyday occurrences have on our present and future. Whether measurable or not, our instincts and inclinations are formed by past experience.

No account may exist, but the past is latent in everything we do and everything we are. That past, is not mutable.

-The English Student

Reclaiming our Music Venues

Cynical advertisment has become an epidemic in the music industry.

One of our largest music venues has recently succumbed to insidious branding by a large company. If one wishes to book tickets for any show here, they are bombarded by this company's logo and image. In addition to this, ticket preference has been allocated to existing customers of the company's main service.

There are many potential problems for music lovers here. This company will only see live music as a commodity. To increase business, it is possible that the new caretakers of this venue will exclusively book extremely popular bands at the expense of emerging artists. In effect, music venue proprietors are becoming the new record companies, with their emphasis on the lowest common denominator over musical variety.

The parallels with record companies can be taken further to theorise a solution to this problem. In the same way that musicians have bypassed record companies and exercised ownership over their art, they should control how live music is presented. After all, these are the people who know precisely what it takes to put on a good show and at what price is fair. If a group of musicians were to take ownership of this venue, they could charge appropriate prices, encourage new artists and increase the frequency and popularity of shows.

With this system in place, artists and fans will have a greater connection through live shows. The only one who loses are these manipulative advertisers.

-The English Student

A Victory Speech For Barack Obama

Fellow Americans, we have arrived at a momentous occasion.

It has taken us a long time to get here, we have seen prejudice, violence and hatred in our history. Not only hatred towards African Americans, but women, old, young and Hispanic Americans. Their voice was often unheard, their dreams denied.

But I believe that today we have heard the voice of this country. It is a voice that has rung out strong amongst the cynics, a voice that has shattered the myth of apathy and declared with thundering certainty: Yes we can!

Of course, having the power to change is just a step towards this change. We must put aside our old divisions and look for unity when facing the challenges ahead. As two opposing sides, we will only create enmity. But as one, we can affect great change for the future of our country, and the future of our world.

I have heard your voice today and together, we can face whatever comes tomorrow.

-The English Student

Book Megalomania

Once again, my list of ideal jobs has grown longer with the addition of Book Megalomaniac.

A book megalomaniac is a person who spends a huge amount of time, money and energy in the acquisition of rare works of literature. They concentrate on amassing a collection of the oldest, most valuable books in existence and have been known to spend millions on individual works. Surely there can be few greater jobs than the preservation of our literary masterpieces.

Indeed, the benefits of such book megalomaniacs are manifest when one views their collections. These books are preserved immaculately, with the highest level of security implemented. Beyond this safety, an appropriate level of reverence is paid to these works and the collections have the air of sacred temples devoted to past gods of literature.

But this heightened security and formality greatly limits the appreciation of these works to a small minority of the public. The vast collections are often not advertised and catalogues for their entire works are rare, if they exist at all. This security removes the literature from their original intention – to be read and enjoyed. But this complaint seems ridiculous when compared with the potential loss of our literary heritage to theft or depreciation. I only wish that more than a tiny percentage of these collections be shown, while the rest is protected as it should be.

The only thing I could fathom spending huge amounts of money on is literature – hopefully I will have that opportunity at some point in my life!

-The English Student

The Awakening of a Generation

This week, my generation finally took a stand.

The media has reported several reasons for this huge demonstration in our capital city. The principal cause cited was an objection to the potential re-introduction of university fees. Of course, many demonstrators themselves held this as the solitary cause for the protest and must be identified as the main reason for the strong turnout.

Indeed, an interesting cross-section of society made up this group of demonstrators. We had government supporters, anarchists, country and city dwellers, revolutionaries, drunks and students of all kinds. This diversity created a vibrant atmosphere of hope and unity. But the issue of fees pales in comparison to the real significance of this demonstration.

What this unity represents, was the real effect of the march. We can no longer be painted as a jaded and apathetic generation. If an injustice emerges, we will face it head on as a strong and driven group. We may have problematic elements in our generation, but we can deal with them and strive to create a society of tolerance while retaining a strong sense of morality and justice.

As we demonstrated in the city centre this week, the government would do well to support us - for we will inherit these streets.

-The English Student

Blur versus Oasis

With the release of a new Oasis album, an age-old and epic debate has re-emerged: who is better, Blur or Oasis?

The English Student strives to place biases and tendencies to one side when writing. It is essential that one's moral principles are upheld by strong, even-handed foundations of empathy. To argue a point, one must view the argument from all sides and weigh all points fairly and equitably. This is justice, this is integrity and indeed, this is the cornerstone of these short compositions.

However, I must (temporarily, of course) step down from these lofty and pretentious heights in order to highlight an absolute truth: Oasis are terrible. They have been playing the same insipid songs for the past fifteen years and every time they release something "new", the bile rises a little higher in my gullet. Perhaps if the band had some originality or creativity, or some respect for other musicians, or even the tiniest hint of manners, I would find them less repulsive. But even then, I'm quite sure that the obnoxious scowl of Liam Gallagher would be enough to disgust me.

Fortunately, for every evil in this world, we often find a good. Moriarty had his Holmes, Ganon had his Link, Nadal has his Federer and Oasis have their Blur. In contrast to the aforementioned talentless thugs, Blur have managed to keep their music fresh and vibrant while maintaining a very high quality of production. I truly love their intricate, fun and profound music. Every album from the band shows a new side to their interesting and creative work, while side projects and solo recordings themselves trump anything provided by the rotting septic tank that is Oasis.

Comrades, rise up and be counted! We must stop pandering to these worn out hacks and finally shovel their putrid discography onto the dung heap!

-The English Student

The Prefect: Book Review

The “Space Operas” of Alastair Reynolds have recently drawn my attention. In particular, the Revelation Space series seems to offer a reprieve to the problems found in many science fiction novels.

In my latest science fiction binge, I have been clamouring for a classic. I was beginning to think that this classic did not exist and that I would continue to flounder amongst the mediocre characterisation and shallow plotlines that fill the ocean of this genre. The Prefect, however, is a beacon of excellence in both of these areas.

The Prefect follows the story of a policing force centred within The Glitter Band - a sprawling collection of 10,000 colonies revolving around planet Yellowstone. The vastness of the setting is indicative of the immense depth of the novel itself. Indeed, an impression is created that there is a story on each of these habitats just waiting to be told. The plot weaves throughout many of these colonies and the riveting parallel plots on these places are brought together with real literary mastery. It is not long before the reader is entranced by the immense detective story that unfolds at an enticing pace.

The plot depth is further bolstered by the layered and compelling characters. It is possible to empathise with all the characters (or at least all the human ones!) of the novel and this greatly enhances its’ appeal. By creating these ambiguous and realistic characters, Reynolds engages in debates on the issues of democracy, law and free will to name but a few. More importantly, these discussions are adequately detailed and expanded on.

Science Fiction is a genre that many exercise, but few excel at. Alastair Reynolds is one of these few and this is evident in The Prefect.

-The English Student

In Defence of a National Monument

Once again I recently found myself defending the newest landmark of our capital city's skyline.

This sculpture was erected at a time when public dissatisfaction with the health system and national infrastructure was particularly high. People berated the government for using funds in an apparently frivolous manner and ignoring the problems of the country. “Decadent”, “vain” and “pointless”, how could the leaders of our country support such a waste of tax money?

But this monument was the first significant instance of public spending in order to boost national pride. This sculpture marks a determined effort to defend our individuality that has been under threat by globalisation. With the decline of our national language and cultural heritage, an icon was absolutely essential to awaken the zeal of the people. Surely this is a cause worthy of such once-off capital expenditure?

Even beyond this, by bolstering national pride more impetus is created for social change. The aforementioned health and services issues become more personal and therefore more important due to this increased cultural identity. With such icons, we can advance both aesthetically and materially, while keeping our national individuality. In short, cultural pride is intrinsically linked to all national issues.

For these effects to take place however, we must embrace this monument as a symbol of our emergence into a modern world.

-The English Student

Spore - An Artistic Medium

The long awaited Spore was finally released on PC recently. Will Wright and Maxis have long described this game as their masterpiece.

Unfortunately, in many respects this game falls short of such high expectations. The product has received mixed reviews from gamers who believe it to be lacking in depth. In addition to this, the deplorable Data Rights Management stance taken by the publisher has caused many to ask why the consumer is being treated like a criminal. In short, Spore has not been received as well as Wright would have hoped.

However, it is my opinion that these game play and publishing problems have taken all attention away from moments of true excellence found in Spore. At the core of the game is the editors. These sections allow a player to customise their own species, buildings, vehicles and even spaceships that can be used in the game. Every shape can be resized, rotated and reworked to the players liking and a highly customisable painting section is available to finish the production. The development team has created a masterstroke with this tool by making it intuitive and easy to use without sacrificing the vast depth of possible creations.

In addition to this, all pieces created by a player are sent to a central server where they are on view for others and automatically get placed into their game. When playing through the campaign, it is common to stumble into all sorts of player generated content. For example, my peace loving, semi-amphibious species was under siege by a a vicious group of walking chainsaws that were created by another player. Luckily, a 200 foot tall incarnation of Trogdor managed to distract them long enough for my apple-munching fish men to get away. This unpredictable variety is simply exhilarating to behold.

Many detractors of Spore have failed to comprehend that this is not an average video game. Instead, Spore is a revolution in creative expression and a truly new artistic medium.

-The English Student

Horizons: Book Review

Mary Rosenblum's Horizons epitomises some of the best aspects of science fiction, but also some of the worst failings of the genre.

The best writing in this area combines idealistic and original fiction about our future with real life human issues. As a fellow student once remarked, good sci-fi is appealing due to the fact that it does not need a science fiction setting. The only way we can truly appreciate any novel is if it appeals to something that is intrinsic to our existence.

So the question is, does Horizons adhere to this high standard of science fiction? The first half of this novel had me believing that this was a masterpiece unfolding before me and I would certainly have said yes to that question. There is an excellent combination of politics, genetics, psychology, sociology and even philosophy played out through the likeable main characters. The personal relationships that develop are also well paced and believable.

However, it seems that Rosenblum was simply unable to reconcile these vast issues within this novel. The author intends to deal with a plethora of human issues, but in doing so fails to deal with any of them sufficiently. The lack of foreshadowing for some of the final issues contributes to this confusion and destroys the excellent pacing of the earlier chapters. If her focus had not been too diffuse, if she had not relied on pointless "deus ex machina" and if she had expanded the novel to a more appropriate length, Rosenblum could have written a classic.

These are big "if"s however and they do not distract from the fact that this is a disappointing novel.

-The English Student

Re-Introduction of University Fees

Recently, the topic of 3rd level fees has arisen once more in public life.

With the media consistently creating fear of a looming recession, people (and government officials) are naturally looking at all areas of the country in a bid to cut back public spending. It became apparent quite recently that one particular 3rd level institution is fifteen million euro in debt as thing stand. When this is coupled with the increasing pay rises given to university staff, it is very obvious that some reform is necessary.

A flat rate of payment for college students is not the answer. This would simply populate our universities with high income students and close the doors to others. Instead, the government should look at the income of students when they leave college and charge a certain percentage of this figure as payment to the university they attended. This would provide substantial income for the colleges and prevent anyone going into debt during their student years.

As a student, one could easily assume that I am fully against the re-introduction of these fees. Indeed, were they to come back, I would be unable to pay them and would have to rely on student finance from the government and banks. But even with this in mind, it is not so difficult to see the necessity of at least some form of fees.

If we are to be charged for our education, it should at least be when we can afford it.

-The English Student

Why PJ Harvey is Amazing

Musician and songwriter Polly Jean Harvey deserves our respect. Here's why:

PJ Harvey is dedicated to her art. Over the past eighteen years, the English rock star has released no less than ten albums. While these works have seen a varied response from the public, Harvey has never backed away from the opportunity to share her creativity with the world. It is very clear that in a time when many musicians are pre-occupied with monetary issues, this particular musician is recording for the sake of her art and supporters.

PJ Harvey is innovative. Not only does this artist record many albums, but she also concentrates on keeping them fresh and interesting. Each collection represents an original approach to music. In addition to this, the vast versatility of Harvey's talent is on show in her many collaborations. Her work with Josh Homme, Mark Lanegan, Nick Cave and Thom Yorke has produced some wonderful songs that augment her already rich back catalogue of music.

PJ Harvey is a constant in my life. As life goes on, it seems to get more complicated and fraught with potential pain. But with any issue that I face there is also the knowledge that Polly Jean will be there to play her music and soothe my soul. Her melodious voice and beautiful music secures me in a place beyond reality and for that I am in her debt.

An artist who can achieve one of the previous feats is impressive. But by achieving them all, PJ Harvey should be celebrated as the amazing muse that she is.

-The English Student

The U.S. Open

With the final Grand Slam of the tennis circuit beginning, it is time we reviewed the standards of the U.S. Open.

After seeing the high level of professionalism at Wimbledon and Beijing, it is my opinion that the U.S. Open is sorely lacking in many respects. It seems that the quality and quantity of tennis played there during the open is completely lost on the spectators. Play is often interrupted by audience members who do not observe the unwritten code of silence during matches, while others consistently leave their seats without regard for these world class players. If you cannot behave with due respect, then you should not attend.

Of course, there has been plenty of money devoted to the tournament and the facilities seem to be of an excellent standard. However, much of these funds seem to be ill spent. For example, instead of installing the essential "Hawkeye" video referee system in the Grandstand court, the organisers decided to add another area for spectators. It is obvious that packing more people into the courts is prioritised over the insurance that modern standards are upheld.

I do not intend to fully deride the U.S. Open for these oversights. It is an important tournament for continuing the support of tennis in the United States and one that is often very competitive and entertaining. I do feel, however, that the lack of professionalism across the board (including the ill-trained schedule creators and ball people) detract from the feeling that the U.S. Open is on par with other Grand Slams.

We should simply recognise the U.S. Open for what it is: an exhibition tournament.

-The English Student

Aeon Flux: Utopia or Deuteranopia?

As Aeon Flux charges through the supposedly open society of Bregna, we must wonder about the subjugated citizens of the nation.

Trevor assures the people of his honest intentions and heralds a new, apparently free regime of trust and integrity. But it becomes blatantly clear that his new era does not extend to the dictator himself.

On the face of things, this seems like a wise move by Trevor. After all, do we really want complete knowledge of all political dealings? As leaders of nations and a wide range of people, politicians face the impossible task of pleasing everyone. Tough decisions are made on a daily basis, causing pain to some and joy for others.

However, why do politicians believe that we do not understand the complicated nature of their profession? On a subjective scale, we all face similar decisions and just as often resort to dishonest tactics to resolve them. By not allowing complete accountability, our leaders treat us like children who are unable to accept the humanity of public figureheads.

"Clean gloves hide dirty hands" and removal of the gloves will simply show how equally filthy we all are.

-The English Student

Muse: Concert Review

To round off a good time for concerts in this country, Muse once again arrived to a huge crowd of loyal fanatics.

While it is hard to look beyond the finely tuned live act that is Muse themselves, the support bands of Glasvegas and Kasabian are noteworthy. Unfortunately, the rabid Muse fans seemed to decry the efforts of Glasvegas who played a good set that was ultimately not suited to the bill. Conversely, the more Muse friendly riff based music of Kasabian may have been a more appropriate appetiser, but was flat in delivery.

These bands obviously had their supporters, many of whom asked me which band I was there to see. I personally found this to be a ludicrous question and I was confirmed in this opinion when Muse took the stage. They tore through an excellent set of sharp, confident space rock with Matthew Belamy's guitar and piano work showing his amazing musical competence. Chris and Dom also maintained their phenomenal skill throughout the concert. The only real criticism that can be leveled at the band was their lack of new material and an obvious set list.

However, Muse are anything but tedious. Any problem with predictability was completely eradicated by the absolutely epic stage show. The stage was adorned with space-age satellite dishes and huge screens and along with this an enormous array of lighting shot out into the night sky. This equipment was used in perfect symphony with each song played, the result of which was a truly awe-inspiring combination of audio and visual.

I was surprised by a taxi driver who asked me if Muse were a band. The answer certainly wasn't in doubt on Wednesday: Muse are no band, they're an unstoppable force.

-The English Student

Bethesda Softworks

Bethesda Softworks is easily one of my favourite game developers.

The consistently high quality of games developed by this studio is enough to impress any gamer. The most notable software to their credit would be the excellent Elder Scrolls series and the upcoming Fallout 3. These games have greatly contributed to the RPG genre with their vast scope and amazing visuals.

But Bethesda is certainly not perfect. There was much fan indignation when the fourth Elder Scrolls game (and sequel to Morrowind) arrived. A just criticism can be leveled at the developer for focusing more on graphics rather than actual depth. In addition to this, many believed that Oblivion was designed with the console user in mind.

These criticisms, however, are firmly defeated by virtue of the community Bethesda has fostered. Morrowind was packaged with an extensive construction set and this was continued with Oblivion. This has allowed fans who found fault with Oblivion to change it accordingly to their own tastes. With literally thousands of modifications available for download, it is hard not to find something of interest.

Bethesda games have their faults, but these are usually rectified by a nurtured fan base.

Character Analysis: Prospero

The destructive storm of The Tempest constantly swirls around one character: Prospero.

Initially we are encouraged to think of Prospero as a typical colonial man who has enforced his will on virgin soil. His dominance over Caliban and his claim to be ruler of the island is in parallel with typically portrayed destructive explorers. However, nothing is as simple as this with Shakespeare. Caliban is not a native of the island and Prospero has been exiled there.

This captivity forces us to consider Prospero in a different light. His position as ruler of Milan has been usurped by his brother and this adds a new dimension to his actions. His dominant and arrogant behaviour on the island may just be a reaction to the hardships Prospero has had to face.

The final act of the play reconciles these two theories. An elaborate plan has resulted in Prospero gaining power over Antonio and Alonso. But rather than exact any kind of punishment or vengeance, Prospero seems to forget the wrongs committed against him. It is clear that the former Duke of Milan is nothing more than a power hungry politician.

Shakespeare creates many angles of perception in Prospero and yet still allows us to identify his core nature.

Wishing to be Mr. Skimpole

In Charles Dickens' Bleak House we are shown a dark portrayal of London life. But throughout the murder, deceit and corruption, one character remains aloof.

Mr. Skimpole is a self processed child in an adults' body. He claims to have no concept of the value of money or any knowledge of the legal system that entwines his closest friends. We are encouraged to believe that Skimpole truly does not engage in any sort of responsibility and as such, enjoys a carefree existence.

It is hard to read about the life of the whimsical Skimpole and not feel a twinge of jealousy. This is a man who is not concerned with the pressures enforced by society. Skimpole is not even committed to any past-time or hobby, but moves around freely as his mood changes. The man is in love with the natural way of living and even the very dutiful Jarndyce and Summerson cannot help but enjoy his company and forgive his innocence.

But in reality, no one would abide by this behaviour. While children are allowed some space from responsibility, this simply cannot extend into adulthood. But even besides this, we owe duty from the moment we are born. As we grow, we become even more indebted to our friends and family. While this can seem like a "trap" of responsibility, it is one that we cannot escape.

My blindness in this regard has caused me to fail in my duty to a friend and I do not deserve forgiveness for it.

-The English Student

The Brilliance of Top Gear

I have never seen cars to be anything more than tools for getting from one place to another. But BBCs' Top Gear is doing a good job of making me care.

While I had been learning to drive for a short period over the last year, it was not long before I took a break from my lessons. I felt that there was no real reason for me to get a license at this time as the public transport system in my area was adequete. Of course, coupled with this was my intense fear of the dangers inherent in driving.

As Top Gear goes into its' eleventh series, I have been wondering why it is I enjoy the show so much and yet still despise cars. The wit and banter of Jeremy Clarkson, Richard Hammond and James May all contribute to my enjoyment of this BBC classic, but their personalities are not strong enough to defeat my natural aversion to their subject matter. The answer, I believe, lies in more subtle aspects of the show.

Often during Top Gear, a pre-recorded clip will be played wherein a car will be reviewed or a challenge will be addressed. The director of these shorts is an absolute genius. A huge variety of camera shots that include amazingly fresh angles are consistently used. In addition to this, very appropriate music from excellent musicians is used to great effect. This combination of visuals and audio are used in perfect symphony with each other and it is for this reason that I find great pleasure in the program.

The BBC would do well to make great use of talents such as the crew on Top Gear. "And with that bombshell", it is time for me to sign off for another week!

-The English Student

The Revenant

It is a dark scene on the streets of our capital city.

Any watcher in the area could see me now as I sprint through the rain-soaked streets. From the park I look to be a blur, rushing along the iron railings. A person in a passing car could notice my slight frame barreling towards the city centre. Eyes from the adjacent apartment block could see my steady trajectory through the storm. But this place is empty. There is no-one in the park, no passing cars and certainly no watching eyes.

There is, however, a mouth. I can just make it out now, moving around the corner ahead of me. Tall, hooded and dark, the bleak figure is running with an alarming pace. I cannot make out much in these conditions, only it's large mouth, split wide open in a silent scream and two enormous arms reaching out vertically above it. A solitary syllable comes to mind: "Run".

But where to run? The figures are quickly multiplying all around me, identical demons with shrouded faces. The street is now a swarm of these hooded creatures. I am surrounded by their horrid mouths that rend my soul to shreds in the unbroken silence. But one is now stepping forward. "You wanted pain. You wanted misery and hate. You even wanted death." These words whisper to my ear from that ghastly hole in the creature. The brief pause is again broken by the figure's guttural tone:

"We are what you desire."

-The English Student

The Problem with Penny Arcade

This week, gaming's most caustic reviewer Ben "Yahtzee" Croshaw took on the realm of web comics.

Yahtzee's usual disdain filled ranting was mostly directed at Tim Buckley's "Ctrl-Alt-Delete". In particular, the lazy drawing style, odd humour and foray into a more serious subject matter was dissected by the corrosive reviewer. However, Penny Arcade is spared a well deserved share of the onslaught.

Of course, both Jerry Holkins and Mike Krahulik of Penny Arcade have done many favours for the gaming community. They successfully launched their own gaming exposition that has become more prominent with the implosion of E3. Outside this area, the founding of the charity "Child's Play" by the creators has raised over two million euro for entertainment in children's hospitals.

This philanthropy does not, however, excuse the slipping quality of their web comics. Frequently, weekly strips include ridiculous "in-jokes", needlessly obscure references to video games and a dull colour palette. By publishing two web comics a week, Penny Arcade gets constant praise from a fan base that blindly follows the authors due to their fame. By contrast, competing comics such as VG Cats are keeping their work fresh, bright and consistently funny. In this way, it is becoming quite obvious that PA have fallen from grace.

We should all endorse Holkins' and Krahulik's kindheartedness, but to continue to hold the title of "web comic", Penny Arcade must rebuild the quality of their publications.

-The English Student

Literary Genres: Drama

"A tragedy is the imitation of an action"

Since the Greek celebrations of Dionysus, drama has been a prevelant form of entertainment and education in society. But when compared to other forms, drama seems to hold an odd place in the literary canon. Dramatic works are written to be performed and therefore, must be treated differently than prose.

One such difference has always been the source of my problems with drama. A novel is written so that we can interpret the message of the author through the medium. In this way, we bring our own biases and opinions to the work. However, when viewing a play we are forced to observe other's interpretation of a message. A dramatic production is subject to the views of a director, actors and stage designers. This creates another barrier between the viewer and the author.

However, we must also consider that plays are written to be performed and that this effect is not completely undesirable. Eric Voegelin's anthropological theory of the "Drama of Humanity" included the idea that our lives are individual interpretations of fundamental desires. Following this principal when considering drama shows us that any production will necessarily be a unqiue iteration of the author's message. The bias and colour that people bring to drama offer us insight into the message of the play.

When a playwright's message is channeled through other people, it comes to us with the potency and individuality of every person involved. Drama is therefore a truly fascinating genre.

-The English Student

Aeon Flux: Thanatophobia

From the masters of pets, to the masters of countries, we all engage in projection. Aeon and Trevor are no exception.

Manipulation comes natural for Trevor who instinctively uses Sible and Onan as external representations of his conflict with Aeon. She too engages in this practice and believes the pain inflicted on either of the Bregnan dissenters to be a blow against herself.

While not to the same degree, puppeteers do engage in this method of projection. The technique of externalising personal issues has even been used by psychologists and councillors, especially in cases regarding children.

While this puppetry as a profession is mostly harmless, problems can occur from an over indulgence of this practice. Externalising emotions may make them easier to understand, but an outside force is harder to deal with and resolve than an internal one. There is a danger in placing traits on a puppet, as it allows us to avoid delving into the origins of these issues.

Sible remarks that Aeon and Trevor are "toying with our lives" and the control they exert creates puppets of these lovers. But, as with all puppetry, in the end it becomes clear who is toying with who.

-The English Student

Collective Responsibility

With the end of the Lisbon Treaty referendum arriving yesterday, we must look ahead to the future of our country.

Many prominent Lisbon supporters were quick to voice their disappointment at the rejection of this treaty on Friday. Dermot Ahern highlighted his own concerns that Europe was now facing "uncharted waters". However, while our political future is unknown, our democratic system is certainly secure.

This security does not come from any specific referendum issue and is certainly not a result of the rejection of Lisbon. Instead, it comes from the democratic process we have in place. While we may not agree with the outcome of a vote, it is essential that we stand by our system and recognise that the voice of the electorate must be followed. It is a testament to this country that all political figures have already recognised and stressed the importance of this collective responsibility.

However, it is a shame that this praise cannot be extended to the European Union in general. Many prominent E.U. supporters have begun to vilify the Irish as anti-European and anti-reform. These are the same leaders who decided that Lisbon can only be accepted if ratified in all member states. Consequently, it is the duty of European leaders to recognise that collective responsibility must be practiced on an international level, not just a domestic one.

We have collectively rejected this treaty. We must now collectively decide on a way forward.

-The English Student

Securalism - Society

"We have just religion enough to make us hate, but not enough to make us love one another" - Jonathon Swift

Across the world, we find political leaders constantly highlighting their religious beliefs as sources for actions. There seems to be automatic acceptance when spirituality is cited with regards to government. But this innate reverence for religion (especially in politics) creates many problems.

When a ruling body decides to make decisions based on religion, the people are subject to any interpretation that said leaders come to. War, destruction and division emerge where these policies are followed. Even when politicians simply pander to a religious electorate they validate the prominance of spirituality within the decision making body of a country.

Instead of showing equal respect to all religions, governments should strive to completely seperate themselves from all forms of spirituality. While many religious people would claim that it is impossible to remove ecclesiastical concerns from any decision, this attitude does not take in to account the varying beliefs found throughout the population. These differences will not be reconciled, but instead should be bypassed.

I am no enemy of religion, but i do oppose the use of spirituality as an excuse for government actions.

-The English Student

Dirty Pretty Things: Concert Review

As Carl Barât chanted "You Fucking Love It" at a crowd in the Academy last night, one had to concede that he was only telling the truth.

While I had yet to see any former-Libertines play live, there was a certain amount of expectation for the evening. The day started out quite well as my friends and I became "those fans" who push their way into a meal the band is having for a picture opportunity. But despite our boldness, Carl, Didz and Anthony were extremely polite and quite literally jumped at the chance to meet fans. As we left the café, a friend of mine suggested that they "give us a good show". It seems that they took this to heart.

The band tore through an excellent set that combined both their old classics and new material from the upcoming album "Romance at Short Notice". While it is very difficult to choose a highlight of the evening, "Deadwood" and "B.U.R.M.A." stand out as points of focus. But of course, the new material is certainly of note. These fresh tracks were spread out perfectly to ensure the best reception from the crowd. While I did have doubts about the upcoming material, those worries have been firmly pushed aside by the carefree and exciting manner in which they were delivered.

Also, the stage presence of Dirty Pretty Things must be mentioned in any review of their live performance. Each band member firmly commanded their area of the stage, creating quite a live spectacle. While attention was being paid to the band overall, Carl Barât lead the Dirty Pretty Things as an amazing front man. His on stage eloquence and obvious emotional connection to his music all contributed to create a truly amazing show.

Between my friends and I, we left the Academy with two drumsticks, a t-shirt and a picture with the band. But most importantly, we left with the knowledge that the future of British rock music is still in safe hands.

-The English Student

European Reform Treaty: Poster Campaign

As the vote on the European Reform Treaty approaches, both sides of the debate are increasing their canvassing campaign.

Most notably, the volume of posters to be found throughout the capital city has risen exponentially. While these posters mostly deal with the expected issues of an economic and environmental nature, there is a specific one that stands out. Apparently, should the treaty be accepted, we will be insulting the memory of those who "died for (our) freedom".

This is absolute rubbish. While one may mount an argument that our freedom was bought with blood, this is irrelevant to the referendum. The fact is, we have a free country and a democratic populace that has a right to vote in any way they choose. Do these groups honestly believe that the ghosts of past leaders will haunt us for exercising the same democratic rights that they fought for?

These scare tactics are a despicable attempt by liars and manipulators to take advantage of our national pride. If past fighters for sovereignty would have any problem with this referendum, I am positive it would be regarding this underhanded and downright appalling campaign strategy.

These issues will not affect my vote. They will, however, make me far more wary of people who are so willing to dupe and deceive the population.

-The English Student

Aeon Flux: Ether Drift Theory

Society innately believes its' ideals to be correct and exportable. Often, this is totally unjustified.

Trevor Goodchild's "petri-dish" of a civilisation becomes breached by exterior forces. The result of which is the utter destruction of all the life and achievements of this population. A haunting echo with past colonisation creeps forward from this catastrophe.


Monetarily and militiraily, powerful societies have had a tendency to forcefully export their own institutions, religion and attitudes. As Robinson Crusoe violated the untainted island, world leaders have enforeced their beliefs on virgin soil. This of course, is always implemented to the advantage of the originating country and government.

While "colonisation" is usually associated with the Age of Exploration, few things have changed since the fifteenth century. The Cold War opponents of the United States and Russia created puppet states to further their own ideals. In more recent times, the wars engulfing the middle east seem like an attempt by western forces to derail alternative world views. If such a perception of reality was truly "correct", people would naturally accept it, thereby negating this reason for war.

As Trevor's "perfectly balanced eco-system" crumbles into oblivion, we the sole survivors are left to consider the adverse effects of colonial attitudes.

-The English Student

Nine Inch Nails: The Slip

Nine Inch Nails released their newest album, The Slip this week and once again we are given a chance to engage with Trent Reznor's wonderfully twisted mind.

This album was not released in a traditional manner. On May fifth, Reznor posted a blog entry on the Nine Inch Nails website with the message that the new album is finished and that "this one's on" him. Following a quick registration, fans are capable of downloading the entire album in various format including the high quality .OGG and .FLAC file types along with the more mainstream (but still high quality) .MP3 format. This marks a change for the band whose work has increasingly appeared online for download, but never for free.

Of course, one can naturally make the argument "you get what you pay for" and assume that this album is not being sold simply because it is not of commercial quality. However, this delusion quickly falls away upon first listening to The Slip. Reznor retains the original hard rock industrial sound that has been found on all Nine Inch Nails work and once again creates a wonderful album. From the charging dark beginning of "1,000,000" to the thrilling evil of "Head Down", Reznor gives us an album full of bleak macabre art.

Of course, this album is far from perfect. There is a drop off in quality between the two highlights of the album, "Lights in the Sky" and "Demon Seed", wherein we are given an extended instrumental track. This is not so much a bad song as a wasted opportunity. However, the main criticism that could be leveled at this, the seventh Nine Inch Nails album, is in relation to originality. Reznor has not moved far from his comfortable genre in this new work. Yet when one looks at the actual quality of this production, coupled with the maturing songwriting and vocal skills of Reznor, we quickly find that while this album is not entirely original, it is almost certainly the best example of what Nine Inch Nails are renowned for.

Overall, The Slip relies on the heavily used canvas of former Nine Inch Nails material. However, the brilliance of this particular iteration highlights the true nature of Trent Reznor - an artistic genius.

-The English Student

Audio Surf

Music is a pure medium and this simplicity should not be interfered with. Audio Surf, however, engages with music to create a unique experience.

When I have some spare time on my hands, it often occurs to me to play a shallow freeware game for some quick entertainment. Unfortunately, these games rarely satisfy me, as the game mechanic is either too simple or too complicated. In addition to this, many of these games force you to listen to their own terrible soundtracks without an option to play your own music. But at last, a game developer has found the perfect balance of these elements.

Audio Surf is an Independent Games Festival award winning program developed by Dylan Fitterer. The player chooses a music track from their hard-drive and following this, Audio Surf analyses the song and creates a racing track that corresponds to the instrumental levels of the song. As the music moves between various tempos and phrases the racing track corresponds with colour and speed changes. Overall, this creates a wonderful physical iteration of a song that the player can directly experience while engaging with an entertaining game mechanic.

This fascinating development comes at a time when both the gaming and music industry are facing particular challenges. The music industry is struggling to make profit as a result of an increasingly prolific piracy scene, while the gaming industry is becoming stagnant as a result of growing developer monopolies. I believe that innovations such as Audio Surf are the best answer to both of these problems. I would certainly consider paying for an album if the ability to use their music in Audio Surf came with the package and likewise, I will readily pay for a game that offers so much revolution.

Audio Surf has the ability to show both industries the way forward. But regardless of whether this lead is taken, the game itself is a magnificent combination of entertainment and innovation and as such, must be played.

-The English Student

Snooker - Game or Sport?

With the World Championship beginning, once again the old battle of identifying snooker as a game or sport has emerged.

The label of "game" carries the negative connotations that a certain sport is trivial. This seems to be levelled at snooker for two reasons. Firstly, the lack of physical prowess and stature required for snooker seems to place it outside the realm of sport. However, the skill and intelligence required to form and carry out an intricate snooker strategy must be considered in the same vein. One may not have to train their body, but the honing of the mind required for snooker is the same process in a different sphere.

Secondly, elements of snooker have placed it as a more elitist form of entertainment. While it is true that there is a more calm and reserved atmosphere at a snooker match, this certainly does not make it any less of a sport. The level of control and decorum is indicative of the respect between players, not a heightened level of haughtiness. But this is a false image in any case, with snooker clubs across Europe allowing people to play the sport regardless of social standing.

Overall, snooker has many parallels with sporting events such as tennis and golf and yet does not suffer the frivolity of false labels. If these absurd reasons for labelling snooker as a trivial "game" are placed aside, snooker will finally be able to take its place alongside other great sporting activities. This would expand the sport and encourage greater participation and competition.

When this years contest in The Crucible comes to a close we will have a new World Snooker Champion. I do hope that they will be rightly considered among sporting legends.

-The English Student

Beijing Olympics - Boycott?

As the Beijing Olympics approach, the level of unrest and discord regarding the event has increased.

Recently, activists supporting the rights of Tibetan citizens have taken to the streets, disrupting the Olympic Relay in France and San Francisco. These people believe that the Chinese government does not have the right to keep the Tibetan region under their control. In addition to this, demonstrators have spoken out against the exiling of the current Dalai Lama, Tenzin Gyatso. In response to this upheaval, Chinese citizens have called for the embargo of French goods and businesses. Consequently, many have begun to call for a boycott of the Games. I for one, support this rejection for two reasons.

The excuses of the Chinese government for Tibetan subjugation have reached ridiculous proportions. Their propaganda has included the bizarre accusation that the Dalai Lama, a Nobel Peace Prize laureate, has been encouraging violence. I believe that a boycott of the Beijing Games would force the Chinese government to drop all deception and engage in real, worthwhile negotiations with Tibet.

Secondly, a rejection of these games would send a message in relation to media censorship in China. Should many countries decide to stay away from this year’s Olympic Games, it will be impossible for Hu Jintao to continue to isolate the Chinese state. The exterior forces of the world will be sending a clear message that their input and influence in the world is important and to separate a population from this force is downright cruel.

The Olympic motto states: "Swifter, Higher, Stronger" and it is the responsibility of the international community to ensure that these ideals are resolutely upheld.

-The English Student

Aeon Flux: Isthmus Crypticus

Trevor blinds and clips the wings of two fantastic creatures and in doing so, highlights the barbarity of animal imprisonment.

Goodchild has captured a pair of wondrous creatures known as the Seraph Trevs. He is not the only one who takes part in this practice of entrapment. Aeon, Ilbrin and Una are all complicit to this slavery, and so is modern society.

Many intellects have championed the cause of zoological gardens. Yann Martel gives us a very reasonable viewpoint of the use of zoos as a protection for animals who would otherwise struggle in the wild. But the breach of the Ishtmus Crypticus chamber teaches us differently.

By ensnaring these animals, we deprive them of their right to live, love and even die. It is nothing but human arrogance to assert that our artificial circumstances are more beneficial than natural ones. They may have a higher chance of survival, but life without freedom is merely existence, regardless of species.

"This creature is in agony" and while the physical body may be cared for, the shackles of animal imprisonment cause more damage than nature ever could.

-The English Student

A New Era?

In the past two years we have seen the end of many political eras in various countries. This timing is not a coincidence.

The retirement of Tony Blair, the apparent (or pending) fall of Mugabe, Bertie Ahern's notice of resignation, the newly founded presidency of Medvedev and Sarkozy and the upcoming U.S. elections all coincide with each other in a relatively small time period. This pattern can tell us many things about current societal trends.

People are dissatisfied with their current leaders of government. Every culture is now influenced by the diversity prevalent in neighbouring areas. This range is expressed by societal contrasts and comparisons. Our more "open" age of information and technology has effectively changed the political focus of the world. Citizens seems to be looking for a political structure that can adequately address the issues of trade, identity, security and culture that are inherent in this development.

However, can these new regimes be confidently seen to encompass these issues? It is problematic to place all new political entities in one camp or the other. At best, one can say that some of these new leaders understand this diversity, while others do not. Crucially, the success of these administrations will depend on their acceptance of this more transnational doctrine.

"Things fall apart; the centre cannot hold" and the movement from the centre to an all encompassing political backdrop can only be beneficial.

-The English Student

Sons and Lovers

In D.H. Lawrence's Sons and Lovers we find a myriad of social issues intertwined with in-depth psychology and beautiful imagery.

Perhaps one of the more striking aspects of this novel is the possibly incestuous relationship between Mrs. Morel and her sons, William and Paul. The reliance that this mother has on her children for social and personal fulfilment can still be seen in the tendency of many parents to project goals on their offspring today. While it is not prudent to attach a certain school of psychological theory to Lawrence, his discussion of humanity in this and other manners is certainly insightful.

The working class situation of the Morel's is very expertly addressed by Lawrence. Unlike Dickens or Burney, description of the toil that Morel undergoes to provide for his family is given. This ordinary and to an extent, universal discussion, coupled with an intricate depiction of urban England creates a strikingly innovative novel for the early twentieth century.

However, these new and interesting areas of discourse are, as with all aspects of the narrative, tainted with remorse, regret and pain. All instances of love are coupled with examples of extreme and sudden hatred. While Miriam and Paul obviously enjoy each other's company while on holiday, there is a constant undercurrent of resentment. Paul even considers himself incapable of love and consequently sabotages his relationships. We are not presented with a cloud containing a silver lining so much as an overcast sky!

D.H. Lawrence has written an undeniably brilliant book, but its inescapable pessimism means that it is not one I enjoy.

-The English Student

Jack Peñate: Concert Review

Music does not always need to be political, dogmatic or depressing. Jack Peñate seems well up to championing the cause of merry music.

The newly crowned king of alternative indie, vaguely ska-esque new rock seemed delighted to be playing a small venue of our illustrious capital city last Saturday. Of course, with such a ridiculous concept of genre that goes with Peñate's music, the place was packed with fans from all sorts of musical backgrounds. Unfortunately, the under-age drunken teenage girl was the predominant social group to be found.

This strong following makes a direct comment on Peñate's music. By attracting such a large crowd of seemingly musically ignorant children, we could easily perceive that Peñate has had a repertoire of shallow music. His debut album "Matinee" is short and while it does not advance the realms of song writing, it is fun, fresh and highly entertaining. Jack epitomises this attitude in his live act.

While jauntily pouring through his back catalogue of songs, Peñate skips around stage, pulls insane faces and generally, has a lot of fun on stage. Backed up by a competent band, songs like "Torn on the Platform", "Learning Lines" and "Spit at Stars" come to life and entrance the audience with their brisk melodies. The encore of "Second, Minute or Hour" was a wonderfully jovial conclusion to the set.

No boundaries are pushed by Peñate, in his studio work or live act. However, he was highly entertaining and how could I ask for more?

-The English Student

Aeon Flux: A Last Time for Everything

The scientific investigations of Trevor Goodchild provoke strong reaction from Aeon. This persecution of researchers is nothing new.

Trevor's regime holds scientific advancement to be of the utmost importance. His cloning program is relentless and this development has resulted in a greater understanding of identity and the role of personality in human endeavours.

Our own centres of research are more subjugated by comparison. Scientists have always been oppressed for their ability to discover truths that we may not like, or disprove beliefs that we hold dear. From Galileo to Ernest Armstrong McCulloch, the worth of scientists has been under valued.

Researchers and scientists should use all resources that are possibly available to them in order to improve the quality of our physical and spiritual lives. To deprive them of these means is to halt our quest for truth.

"The issue isn't excess, its access" and with free reign to investigate mankind we may access the very secrets of our existence.

-The English Student

U.S. Presidential Nominations

After clinching the Republican nomination, John McCain commended his running mates for an honourable and fair process. Unfortunately for him, the "honour" of this contest may be the undoing of his party this year.

Hilary Clinton and Barack Obama have fought a long and protracted competition, moving from coast to coast in a bid to clinch the Democratic nomination for the upcoming U.S. presidential election. At times, this battle has been anything but honourable, with both sides trading blows on a personal level.

The global attention garnered from these often petty attacks has created a worrying situation for any detractor of the Democratic Party. By firmly grasping the majority of media coverage, Obama and Clinton have become the main focal points of this election. The seemingly underhanded techniques of each campaign have ensured that this nomination has basically become the actual presidential election.

But this is not the only advantage gained from the high level of awareness the Democratic candidates have reaped. By drawing attention to their campaigns, the policies and ideals that Obama and Clinton stand for have become accountable and intensely debated. This creates a more transparent version of the political competition and in doing so, the Democrats are assured to emerge with a candidate that has well developed and defensible opinions.

In what is essentially a broken democratic system, it is something of a relief to find at least some accountability.

-The English Student

Console Fanaticism

Competition is encouraged in almost every area of business. However, it seems that many people would be content to see this end in the gaming industry.

The war between Playstation, Xbox and Wii "Fanboys" has been a bitter one, waged constantly throughout countless forums and blogsites across the internet. Any positive news regarding one of the systems is assured to provoke the embittered cries of opposing devotees and the fanatical defence of supporters.

This does not simply stop at the quality of software and hardware of the actual console, but also the companies represented by the products. Some sort of idealistic worship emerges from those championing the cause of Microsoft and Sony, while Nintendo is viewed as a saviour of humankind and friend of the consumer.

Of course, these attitudes are ridiculous when the cold hard facts of game business are identified. Microsoft is infamous for destroying competition, Sony has used racially charged marketing ploys and Nintendo has the worst environmental record of the three. This fervour for individual video game consoles reveals nothing but a pathetic misplacement of affection on the part of these deluded supporters. The fact is, competition between the consoles benefits the consumer.

It is a shame that these "fanboys" cannot realise the fruitlessness of their attacks and just enjoy the product that they so fervently defend.

-The English Student

The Wheel of Time

It is rare to find literature that consumes one's entire life, but Robert Jordan held mine firmly for a long period of time.

While waiting for the final book of The Wheel of Time, I have been reading a variety of novels. It is only recently, however, that I began to read in the same genre as Jordan's epic work. Finding a copy of Medalon by Jennifer Fallon, I sought to placate myself with another fantasy world.

This was hopeless. The sheer volume of detail, rhetoric, character development, plot and even scenery of The Wheel of Time series towers above all other fantasy works. The books have dealt with the complicated issues of love and lust, morality, religion and war to name but a few. In addition to this, just about every journey or occurrence in the lives of the main characters (of which there are about a dozen) is chronicled in brilliant detail.

Of course, Fallon may not be aiming to approach fantasy writing in the same manner. But one cannot help but be drawn into Jordan's vibrant universe, and consequently think less of parallel literature. The ease with which one can insert themselves into this world and the preference readers have held for the series is not an insult to other writers, but a testament to its own magnificence.

Robert Jordan's death was not the end of his legacy, nor was The Wheel of Time the beginning of epic fantasy. But it was a beginning.

-The English Student

Ulysses - An Epic For The Comatose?

James Joyce presents a unique stream of consciousness in Ulysses. However, this conflicts with our own flow of thought.

When reading the thoughts of Leopold Bloom or Stephen Dedalus, we follow the progression of their feelings. They see or hear something and instantly consider experiences that they innately associate with these sources.

Unfortunately, I have my own stream of consciousness. So, as Bloom considers death, prompted by a letter from his daughter, I consider death, prompted by his thoughts. Consequently, the text is somewhat forgotten in lieu of my personal considerations. If anyone is to truly understand all occurrences in Ulysses, they would do well to enter a mental state of hibernation.

However, while the comatose may appreciate the subtle nuances of the text and associate themselves more readily with the main characters, they would lose the essence of the narrative. By allowing our minds to wander in the same manner as Leopold Bloom, Ulysses reaches further into the depths of humanity.

A web of thought and emotion is woven through the intermingling consciousness of both the reader and character, making Ulysses not just a book, but a living investigation of humanity.

-The English Student

Queens of the Stone Age: Concert Review

Objectivity is not always a useful writing stance. For true appreciation of art, a personal style is essential. Consequently, I begin this "review" knowing full well that I am a completely biased fan!

However, I do find it hard to believe that there were any unbelievers left after Queens of The Stone Age rolled into my local area. Following the release of their fifth studio album, Josh Homme and his latest rabble of rockers have taken to touring, bringing their brand of guitar fuelled, robot rock mayhem on the road.

My city was no exception to the coming of their elegant chaos. After beginning their set with the Era Vulgaris opener, there was no letting up as Josh Homme, buoyed by hardcore Queens Joey Castillo and Troy Van Leeuwen ripped the venue down around us. Powerful drum work and piercing guitar riffs pounded across the crowd, allowing fresh rookies Michael Shuman and Dean Fertita to fill in the gaps with style.

Jettisoning more popular songs such as "No One Knows" allowed room for the real fan favourites that varied from the beautiful depression of "In The Fade" to the evil carnage of "Infinity", with the highlight of the night being "You Can't Quit Me Baby". By augmenting these unusual set choices with classics such as "Go With The Flow", Homme successfully created an experience that, while full of diversity, still epitomised everything that the band has been doing since their self-titled debut.

Journalism is not about callous factual records. The passion and fire elicited by this amazing concert simply cannot be forced into a neutral framework. I leave that, to the hacks...

-The English Student

Sweeney Todd: A Review

Tim Burtons' masterpieces continue to be a much needed ray of darkness in an all too bright sky.

As the name suggest, Sweeney Todd: The Demon Barber of Fleet Street explores the life of a barber living on Fleet Street in London. He is imprisoned on a false charge and returns from his internment to find his wife dead and his daughter in the clutches of the evil Judge Turpin. A sordid tale of vengeance follows.

Such a story naturally hinges on the acting ability of the protagonists. Unfortunately, much of the back story regarding Todd's (Johnny Depp) family is washed over, making his desire for bloody revenge hard to understand. Despite this problem, the acting prowess of Depp and Helena Bonham Carter is fully on display. Depp comes across as a morbid David Bowie from the Labyrinth, while Carter's portrayal of Mrs. Lovett can be likened to a demonic form of Mrs. Havisham.

As usual, Burton retains his specific sense of style with a deliciously evil flourish. The gloomy greys of London are the perfect canvas for Burton to quite literally rain blood down upon.

Sweeney Todd: The Demon Barber of Fleet Street conforms to the directors exacting standards. Coupled with an outstanding performance by Johnny Depp, this film successfully confirms Burtons' status as a contemporary genius.

-The English Student

Evil Music

“Sweet soft and low, I will poison you all” - Joshua Homme

With the variability of music genre that we are exposed to regularly, there is one that transcends time and artist. An inescapable feeling of dread is thrust forth by musicians concerned with this style. When they record, they do so firmly within the realm of evil music.

Artists such as Josh Homme, Radiohead, Trent Reznor and The Mars Volta all engage with the darker aspects of life. Death, despair and depression become the basis for these musicians as they endeavor to create an investigation of a human nature tainted with evil.

The sharp stab of a piercingly malevolent lyric resonates with that string of malicious essence found in us all. The resonance that can ring out from the depths of one’s soul often seeps through when assaulted by these dark undercurrents of vice.

Listen to this music, enjoy and understand it, but most of all: fear it.

-The English Student

Non-Verbal Communication

“Silence has sometimes a remarkable power of showing itself as the disembodied soul of feeling” – Thomas Hardy

We live in a loud world full of raucous noise and harsh sound. It therefore does not surprise me that non-verbal communication is often more valuable than other mediums.

A knowing look, slight sigh or brush of a hand can portray emotion more clearly than any eloquent sentence or phrase. The purity of such actions that do not require forethought or education must be valued.

Emotions change on the whisper of a thought. The failure of our language to properly convey this transience means that we must look to these subtle cues to properly understand ourselves and others.

I will always treasure the gentle caress of someone’s hand, even at the expense of poetic declarations.

-The English Student

Wuthering Heights: Transient Love

Catherine Earnshaw declares "whatever our souls are made of, (Heathcliff's) and mine are the same". But we come to learn throughout Wuthering Heights that love is not enough.

Emily Brontë creates an expectation of joyous love in the portrayal of Catherine and Healthcliff's childhood. They are inseparable comrades, partners in crime and mischievous playmates. But the love that naturally springs from this relationship soon faces hard trials.

A simple misunderstanding separates the two friends. Following this, Catherine marries Linton and no real reconciliation can be possible. The two characters, who the reader knows to be ideal for each other remain forever separated by pride and misfortune.

A love based in the innocence of children must be considered a pure one. Brontë shows us that even this sacred force is fragile and breakable, awarding true love to the fortunate and self-deluded. Consequently, luck will play a part in the marriage of Hareton and Cathy that is alluded to in the closing of the novel.

Unfortunately, the influence of chance is inescapable in all matters of the fickle heart.

-The English Student

New Year Resolutions

Another holiday, another year, another chance to lie to ourselves.

Many people seem to use this time of year as an excuse to make grand and noble promises of self-improvement. While being questioned on this subject by friends, I was struck by the hypocrisy of the whole tradition. I find this ridiculous practice to be pointless in two respects.

Why do we try to deny who we are? Making unrealistic promises in a bid to obtain perfection can only lead to disappointment. While it is admirable to take steps towards self-improvement, it is utter folly to base these steps outside of reality.

But why should we need an excuse for self-improvement anyway? Every passing moment is a chance to make a redeeming effort. If we confine our quest for betterment to one occasion a year, we implicitly cause our growth to stagnate at other times. Pure intentions to seek change should come from life experience, not an arbitrary calendar date.

This year, I resolve to stop lying to myself and to forsake insincere promises and hollow attempts at improvement.

-The English Student